Sunday, February 6, 2011
Saturday, February 5, 2011
Wednesday, February 2, 2011
Rebellion: Jack Hammer Sings and Reads Songs and Poems of The Beat Generation (1960)
We love our kitchy beatnik vibes here in the Fireball household, this is an album I got while making mixes for the Beat Generation themed bar that Mrs Fireball used to run - I thought about it again while watching the beatnik scenes in Mad Men just recently and thought maybe I'd stick it up here in case any of you might dig those crazy vibes . . .
I had heard some Jack Hammer tunes on the famous 'Las Vegas Grind' compilations, but that was just some frantic twist music, while this is full on turtle neck, beret, goatee, coffee mug and Benzedrine fare . . .It's got a tune called 'A Hobo with an Oboe' for chrissake. These go for well over 100 bucks on collectors sites I hear. Enjoy it Daddy-O. . . .
Like, Wow!
Tracklisting:
2. The Hawks and the Crowns
3. Neon Moon
4. Concrete Desert
5. Ruby Red
6. Dying Soldier
7. Like
9. The Rose and the Rock
10. A Hobo With an Oboe
11. Mean and Evil Me
12. Coffee Espresso
13. Man Candle
Sunday, January 30, 2011
Billy Childish & The Blackhands - The Original Chatham Jack
So here it is again, dear listener:
Billy Childish, having heard the Blue Fields Express, wanted his own broken down engine of a group and put out the word. And so they came, from near and afar. Kyra, practicing her Spanish and rattling the pots and pans. A man who didn’t normally drum to play drums. A trumpet player nursing several stitches from having a glass thrust into his face the previous night in a dubious drinking den at the wrong end of town. Miss Ludella Black, dropping in to sing a few numbers during her lunch break from selling fruit and veg on the high street. Shamus, from south of the Thames – having never met the rest of the ensemble, getting lost in the streets of Medway, banging on the wrong door of the wrong house in the wrong town for 2 hours then whipping out his accordion and busking along regardless. And then of course Billy, stringing up his fathers 1910 banjo, picking in open G and singing in what he imagined were the tones of the lost looking for solace.
GIT IT!
BILLY CHILDISH & THE BLACKHANDS
Friday, January 28, 2011
8 bit Come to Daddy
Not usually a fan of 8 bit covers of things, they're often just boring, gimmiky and shite sounding. This one is a bit of genius though.
Thursday, January 27, 2011
Hit it and Quit it Radio
Hit it and Quit it Radio.
Sunday, January 23, 2011
Glasgow's Most Unlikely Hitmakers ~ Los Tentakills
Garage psych reworking of a folk standard about the dangers of drug addiction.
Friday, January 21, 2011
Hardy Spymania mix - Creme D'Acid
Just a quick mix to share. Noisy, raw boxjams, just as it should be.
Rude.
http://www.spymania.com/pgs/creme%20acid.html
Wednesday, January 19, 2011
Mogwai - Rano Pano
vidyo
Tuesday, January 18, 2011
Kraftwerk and the Electronic Revolution
Wednesday, January 12, 2011
Ennio meet The Orb
I just had another 'this came from that' moment, which made me smile.
The Orb's Little Fluffy Clouds sampled Ennio Morricone's Man With a Harmonica from Once Upon A Time In The West (just a bit, right at the beginning).
I love that moment when you've just heard the original source of something you've heard in its sampled form hundreds of times. Am I alone in being surprised when a sample is revealed as being a sample? I guess my assumption is that most stuff is original, despite listening to sample based electronic music for over 15 years.
The Orb
Ennio
Bonus Ennio that I've always had a soft spot for
Cheers
Tuesday, January 11, 2011
If You’re Not Getting Older, You’re Dead
Tuesday, January 4, 2011
Pour la tête

Tasty Essential Mix from Fourtet on iPlayer at the mo.
It's being rebroadcast from January last year, I'm guessing because it won/got nominated for Essential Mix of the Year or somesuch, dunno really. It's ace anyway.
I'd not really listened to any of his stuff until fairly recently, prompted by the delightful single 'Moth' that he did with Burial, which was probably my favourite tune from 2009 (not that I'm very good at favourites). Still kills me that one though, every time.
Anyway: he seems to have done all sorts of stuff in the past, Warp-style electronica, hip hop, breaks, jazz, folk. Everything I hear from him these days though seems to have a general 4/4 pulse to it, with elements of other stuff splashed around all over the shop. I really like it, but I get the feeling his earlier stuff isn't like that. Is that correct, has anyone got any recommendations, and where's a good place to start with his albums?